Semiotics of material and colour in wooden sacred architecture of historical Volhynia: Past and present
Fragment książki (Rozdział w monografii)
MNiSW
20
Poziom I
| Status: | |
| Autorzy: | Rychkov Petro, Lushnikova Nataliya |
| Dyscypliny: | |
| Aby zobaczyć szczegóły należy się zalogować. | |
| Wersja dokumentu: | Drukowana |
| Arkusze wydawnicze: | 0,7 |
| Język: | angielski |
| Strony: | 216 - 227 |
| Efekt badań statutowych | NIE |
| Materiał konferencyjny: | NIE |
| Publikacja OA: | NIE |
| Abstrakty: | angielski |
| The paper gives coverage on the problems of semiotics of wooden sacred architecture at the territory of historical Volhynia under past and modern circumstances, including semiotics of material itself and the colour as its main aesthetical characteristic. There are considered the main peculiarities of the colour semiotics of basic structural elements of churches’ exteriors. The authors tried to analyse the main reasons and tendencies of the changes in semiotics of wood and coatings applied for church exteriors and to define their colour as the most important aesthetical feature. Main evolutional stages for changing the semiotics of wood as a material and colour of wooden churches are suggested |
