Methodology of 3D Scanning of Intangible Cultural Heritage—The Example of Lazgi Dance
Artykuł w czasopiśmie
MNiSW
100
Lista 2021
Status: | |
Autorzy: | Skublewska-Paszkowska Maria, Powroźnik Paweł, Smołka Jakub, Miłosz Marek, Łukasik Edyta, Mukhamedova Dilbar, Miłosz Elżbieta |
Dyscypliny: | |
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Rok wydania: | 2021 |
Wersja dokumentu: | Drukowana | Elektroniczna |
Język: | angielski |
Numer czasopisma: | 23 |
Wolumen/Tom: | 11 |
Numer artykułu: | 11568 |
Strony: | 1 - 17 |
Impact Factor: | 2,838 |
Web of Science® Times Cited: | 11 |
Scopus® Cytowania: | 15 |
Bazy: | Web of Science | Scopus |
Efekt badań statutowych | NIE |
Finansowanie: | This article has been partially supported by the Polish National Agency for Academic Exchange under Grant No. PPI/APM/2019/1/00004 titled “3D DIGITAL SILK ROAD” |
Materiał konferencyjny: | NIE |
Publikacja OA: | TAK |
Licencja: | |
Sposób udostępnienia: | Witryna wydawcy |
Wersja tekstu: | Ostateczna wersja opublikowana |
Czas opublikowania: | W momencie opublikowania |
Data opublikowania w OA: | 6 grudnia 2021 |
Abstrakty: | angielski |
Traditional dance is one of the key elements of Intangible Culture Heritage (ICH). Many scientific papers concern analysis of dance sequences, classification and recognition of movements, making ICH data public, creating and visualising 3D models or software solutions for learning folklore dances. These works make it possible to preserve this disappearing art. The aim of this article is to propose a methodology for scanning folklore dances. The methodology was developed on the basis of capturing 3D data via an optical motion capture system with a full body Plug-in Gait model that allows for kinematic and kinetic analysis of motion sequences. An additional element of this research was the development of a hand model with which it is possible to precisely analyse the fingers, which play a significant role in many dances. The present methodology was verified on the basis of the Lazgi dance, included in the UNESCO ICH list. The obtained results of movement biomechanics for the dance sequence and the angles of the fingers indicate that it is universal and can be applied to dances that involve the upper and lower body parts, including hand movements. |