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Publikacje Pracowników Politechniki Lubelskiej

Status:
Autorzy: Szeliga Marcin, Osipowicz Grzegorz, Bieniaś Jarosław, Droździel-Jurkiewicz Magda, Bereszyński Andrzej
Dyscypliny:
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Wersja dokumentu: Elektroniczna
Język: angielski
Web of Science® Times Cited: 0
Bazy: Web of Science
Efekt badań statutowych NIE
Finansowanie: The research and analysis were funded by the National Science Centre in Poland (projects no. 2015/19/B/HS3/01720 and 2021/43/B/HS3/00500). The authors would like to thank Prof. Dr. Daniel Makowiecki for the taxonomic identification of the bone and Prof. Magdalena Krajcarz for sharing a wolf skull for comparative anal- ysis. We would also like to thank Ms Barbara Kowalewska for making the drawing documentation of the artefact, as well as Mr Paweł Wit Zagórski for all language corrections and preparing the final English version of the text.
Materiał konferencyjny: NIE
Publikacja OA: NIE
Abstrakty: angielski
Bone figural representations are among the rarest categories of finds associated with the Linear Pottery culture (LBK), particularly in Central Europe. This paper presents the results of use-wear analysis and micro-computed tomography (μCT) scanning of an atypical item made from a red deer metatarsal, recovered from site 6 at Tominy. The site is situated in the upper Vistula River basin, within the sandy loam deposits of the northern foreland of the Sandomierz Upland. The analysis identified a range of modifications to the original bone structure, including butchery-related traces, intentional technological alterations, and probable bite marks left by a medium-sized carnivore, such as a dog or wolf. The combined evidence allowed for the reconstruction of the complex biography of the item and supports its interpretation as an intentional, albeit highly specific and unusual, figural representation of the idol type. This item constitutes the first and, to date, only known Early Neolithic anthropomorphic bone idol from north of the Carpathians. It exhibits the closest parallels to the exceptionally rare so-called Ensisheim-type idols known from scattered sites in France. These circumstances, together with notable divergences from Western European examples, form the basis for a broader discussion of the phenomenon in technological, functional, chronological, cultural, and symbolic terms.